Elegant and kaleidoscopic . . . This looks to be the perfect moment for King's resolutely humane book.
Jennifer Szalai, The New York Times
From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered ita sweeping chronicle of discovery and the fascinating origin story of our multicultural world.
A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled "primitive" or "advanced." What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature. In Gods of the Upper Air, a masterful narrative history of radical ideas and passionate lives, Charles King shows how these intuitions led to a fundamental reimagining of human diversity.
Boas's students were some of the century's most colorful figures and unsung visionaries: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is among the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now classic novel, Their Eyes Were Watching God. Together, they mapped civilizations from the American South to the South Pacific and from Caribbean islands to Manhattan's city streets, and unearthed an essential fact buried by centuries of prejudice: that humanity is an undivided whole. Their revolutionary findings would go on to inspire the fluid conceptions of identity we know today.
Rich in drama, conflict, friendship, and love, Gods of the Upper Air is a brilliant and groundbreaking history of American progress and the opening of the modern mind.
ABOUT THE AUTHOR:
CHARLES KING is the author of seven books, including Midnight at the Pera Palace and Odessa, winner of a National Jewish Book Award. His essays and articles have appeared in the The New York Times, The Washington Post, Foreign Affairs, and The New Republic. He is a professor of international affairs and government at Georgetown University.
Thoughtful, deeply intelligent, and immensely readable.
Alison Gopnik, The Atlantic
King's comprehensive archival research illuminates intellectual giants . . . With a light yet unmistakable touch, King connects the dots from Boas's time to ours. He mentions President Donald Trump's describing of Mexicans as rapists' during the kickoff of his presidential campaign, and we get the point: The reduction of human beings to typespeople stereotyped as inferior and menacing, deserving of being keep out or cast outis a clear and present danger. Reading Gods of the Upper Air, though, provides inspiration. The anthropology of equality tells us that every population is as fully human as any other, and deserving of understanding and compassion.
Barbara J. King, NPR.org
[Gods of the Upper Air] offers a vitally relevant way to frame the ugly spectre of racism as it resurfaces in our politics . . . Now, more than ever, we need to recognise how Boas and others developed an alternative vision of humanity. Understanding this oft-ignored intellectual history is a first step towards defending it.
Gillian Tett, Financial Times
[King] succeeds in bringing Mead and her fellow travelers into sharp focus as they pioneered a new field and documented mankind's many-splendored diversity in a positive, rather than a divisive, light.
David Holahan, USA Today